On the whole, there was more surveillance on the media and books and journals after the coup. [11] از مهتابی به کوچه, (Tehran: Tous 1978), p. 113. Despite Shamlou’s groundbreaking white poems, he cannot be considered the first person to write free verse poetry in the Persian language. Dieser Artikel oder nachfolgende Abschnitt ist nicht hinreichend mit, https://de.wikipedia.org/w/index.php?title=Ahmad_Schamlou&oldid=209286050, „Creative Commons Attribution/Share Alike“. While working on his poetry books, Shamlou was active as a journalist, social activist, and translator. Shams Langroudi (Javaheri Gilani, Mohammad-Taghi), Analytical History of Modern Persian Poetry (Original title: “Tarikh-e Tahlili-e She’r-e No”), Volume 1, (Tehran: Markaz 1991, 4th reprint in 2002). 1. View a machine-translated version of the Persian article. Jan 13, 2004: New set of of Shamlu CD's such as "Bagh Ayneh", and "Qoqnus dar Baran" and some books have been added to the book store. Unfortunately, it did not receive the filming license from The Ministry of Culture and Islamic Guidance. His father was an army officer, and his mother was a housewife. Ahmad Shamlu Net Worth is $1.3 Million Ahmad Shamlu Bio/Wiki, Net Worth, Married 2018. Then invited by the Swedish PEN Club he took a trip to Sweden to give readings in Stockholm. These poems could not receive a license to be printed in Iran until some years later. Gharibaneh - Poetry Night of Ahmad Shamlou, Nov. 1972 - Tehran (Live) 01:18 02. Dawn), is one of the most influential people in contemporary Persian literature, or perhaps, in Persian literature as a whole. Perhaps, that was the reason behind its exceptional success in attracting many readers. He wrote many poems and stories during the time of his imprisonment. [9] “Manifestation of Nimaic Poetry”, Hassan Golmohammadi, Cited in: Shahrvand: Largest Farsi Newspaper In North America, January 17, 2013, www.shahrvand.com/archives/35504, Retrieved on August, 2013. At the same time, reading Iranian newspapers and literary periodicals acquainted him with modern Persian poetry, which was in its infancy. Shamlou’s first experience in filmmaking was in 1959 when he made a documentary about the climate and the people of Sistan-Baluchestan province in the southeast of Iran. Content is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. […]“ 8d) COVID-19: The Spearpoint for Rolling Out a “New Era” of High-Risk, Genetically Engineered Vaccines. [29] “Shamlou and the Cinema”, Behrouz Sahebekhtiari, ibid, p. 67. He was also active in children’s literature; he wrote and translated some poems and stories for children. Here I will explain the intentional and unintentional misunderstanding of socialism and her father, Marx, by other political systems and will explain why it is the only way to have a peaceful earth and a prosperous humanity. Shamlou returned to Tehran in the same year, but in less than a year after that, in protest against the policies of the Shah’s regime, and the lack of freedom of speech, he gave up his chair at Bu-Ali Sina University and departed Iran again. Cited in ibid, p. 295. Ahmad Shamlou contemporary Iranian poet, was noted mostly for his political poems. During his one year stay in America, he visited many cities and gave speeches at several notable universities such as Harvard University, Columbia University, University of Washington, University of Michigan, etc. In 1954, he was arrested. He was freed in 1955. Of my memories. Shamlou was very much interested in publishing journals and had a lot of experience in writing for different journals and working as editor-in-chief and managing editor at some of them. These are strange times, darling. The official website of Ahmad Shamloo said in part of this article that ′′ A Institute. کتاب کوچه book. The time of Shamlou’s adolescence coincided with World War II, and the Allied invasion of Iran in the summer of 1941. After that, he became the managing editor of Khushe literary journal. Cited in Daftar-e Honar: Exclusive Issue on Ahmad Shamlou, 4th year, Issue 8, March and April 1997. He often tried to attract attention to himself by generating controversy or being perverse. His four new collections of poems were taken and lost by a publisher. Ahmad Shamlou ( احمد شاملو) wurde am 12. But after printing only three issues, they had to close it down due to receiving an ultimatum from the government. ‏‎Ahmad Omidi‎‏ در فیس‌بوک است. In 1972 he was given the Forough Farrokhzad Literary Prize for the best poet of the year. In 1966, in collaboration with a friend of his, Shamlou founded his second journal named Baru. He died on July 24, 2000 in Mehr Hospital, Tehran. [32] “میراث پردردسر احمد شاملو (بخش دوم و پایان)”, Behzad Keshmiri-pour, Deutsche Welle in Persian, 17 July 2010, http://dw.de/p/OO0t, Retrieved on 17 September, 2013. He, later on, called the poems in this book “a bunch of naïve, sentimental, and worthless poems” and considered their publication “a childish error.” He was “ashamed” of these poems to the extent that he did not include this collection in his bibliography.[8]. After that, during the 60s and 70s he wrote several screenplays and dialogues for popular genre films (also known as Film Farsi) which were not considered valuable from an artistic point of view, but financially speaking, they were very profitable, and he could write one of them in a matter of days. Ahmad Shamlou. In 1952 he became the managing editor of Atashbar newspaper, which was an Anti-Imperialist leftist journal. Als früher Opponent des Schah-Regimes bekam er wiederholt Publikationsverbot und wurde mehrfach inhaftiert. Finally at the age of 74, on July 23rd, 2000, about dusk he took his last breath in his wife’s arms at his home. Despite all of his achievements, he never stopped working even in the worst moments of his life. Shamlou published more than seventy books. Despite everything he has done, we believe he is still not known and honored in a way worthy to him, and we hope we have taken a tiny step to introduce this beautiful giant[37] to the world. Other than changes in the physical structure, the subjects of Shamlou’s white poems did not have any limitation, whereas Nima Youshij’s poems often have mystic themes. During the 60s and 70s, some Iranian filmmakers preferred to work with the national television or governmental institutions rather than producing films for the cinema. Shamlou war außerdem Autor mehrerer Kurzgeschichten und Romane, Journalist und Übersetzer. But to gain more audience, he abandoned it after a few issues were printed and joined Etela’at-e Mahane, which was a renowned monthly magazine. Dawn), is one of the most influential people in contemporary Persian literature, or perhaps, in Persian literature as a whole. 6 – 8. And for making this fund, your support is more effective than anything else.”[26]. Cited in: ibid, p. 133. Diese Seite wurde zuletzt am 28. Nevertheless, Ahmad Shamlou is among the most read and most favored Iranian modern poets, who inspires many people. One of the contributions of the famous Iranian poly-math, Abu Raihan Biruni (al-Biruni) is the calculation of the radius of the earth which he … It was first published in Derafsh-e Mehr, a literary student journal that I manages at the university. Morgen‘) (* 12. Ahmad Shamlou ,A Celebrated Contemporary Poet. Join Facebook to connect with AshKan JaMi and others you may know. In 1992 a collection of his poems titled Madayeh-e Bisaleh (Panegyrics sans Boon) written between 1979 to the date were published in Sweden. Ahmad was the second child and the only son in a family of six children. Seine Kindheit und Jugend hat er aufgrund der häufigen Versetzung des Vaters, der Militär war, in verschiedenen iranischen Städte verbracht. Despite this association being almost always monitored by both the former and the current regimes _which led to its suspension, and prosecution of its members (by both regimes)_ Ahmad Shamlou remained as a fixed member of this association until his death. Ahmad Shamlou is the author of Plume d'or (0.0 avg rating, 0 ratings, 0 reviews), Ey Aşk, Ey Aşk! 1977 ging er ins Exil und kehrte erst … In his essay, Hamed Kashani, in an essay, introduces the whole Octavio Paz and the Sunstone and gives a more general reference to the influence of this Mexican poet on poets such as Shamlou, Shams Langroudi and Hafiz Mousavi. People will feel closer to us through sounds.”[23] Some others claimed that what Shamlou wrote was not poetry, but prose. I had just returned to Iran for the summer break, and my homeland was in the frenzied grips of an historic revolution. Ahmad was the second child and the only son in a family of six children. In 1956 He became the editor-in-chief of "Bamshad" literary magazine. This festival was held for the second year to honor Forough Farrokhzad, the female Iranian modern poet who had died in 1967. Most of them were destroyed after the guards searched his cell, but he published some which he managed to save in his later books such as Hava-ye Tazeh. You can still download and read the digital issues on Derafsh-e Mehr old weblog _as well as here on this website. And they flog. Beginning from the middle of the 1960s, he was invited to several poetry gatherings and conferences by different societies and universities in different cities of Iran. In the manner of many children who grow up in families with military parents, he received his early education in various towns, including Khash and Zahedan in the southeast of Iran, and Mashhad in the northeast, and Rashtin the north. He [Shamlou] put aside the Nimaic rhythm, rhymes, and prosody very early, and without any barrier of this kind which pours the thoughts of the poets in a premade frame and form _and therefore what is produced is not exactly what the poets desired_ used the entire potential and capabilities of Persian language to express his thoughts.”[25]. He was the only son of a somewhat impoverished family. Shamlou’s other activities include producing and directing films, dubbing and narrating, as well as writing plays and screenplays. Selected Poems of Ahmad Shamlou | Ali Salami. In 1973, he was given a chair at the Aryamehr University of Technology (currently known as Sharif University of Technology: SUT) to teach Laboratory Studies of Persian Language[30]; he taught this course for three semesters. In an interview, he said, “My collaboration in the cinema was a sort of breadwinning through writing; indeed writing for money.”[29] Shamlou also participated in cinema as a narrator, as well as directing a film, Dagh-e Nang (The Brand of Shame) in 1965 (which was not a successful film from both artistic and financial points of view), and also acting in minor parts in a few others. In the year 1957, he published The Fresh Air, which made him more acknowledged in Iran. He was not proud of these screenplays at all, and he did not want any credit for these films; he always demanded the producers not to include his names in the credit rolls[28].
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